Please use this identifier to cite or link to this item: https://doi.org/10.3145/epi.2022.jul.16
Title: Understanding radio art reception
Authors: Soto-Sanfiel, Maria T 
Freeman, Bradley C
Angulo-Brunet, Ariadna
Keywords: Social Sciences
Science & Technology
Technology
Communication
Information Science & Library Science
Radio art
Sound art
Artistic sound
Art reception
Involvement
Emotions
Radiophonic language
Radio aesthetics
Creative radio
Creative sound
Path analysis
Media psychology
PERCEPTUAL FLUENCY
PROCESSING FLUENCY
FIT INDEXES
INVOLVEMENT
ATTENTION
AROUSAL
COMPLEXITY
VALENCE
PERSUASION
JUDGMENTS
Issue Date: 1-Jan-2022
Publisher: EDICIONES PROFESIONALES INFORMACION SL-EPI
Citation: Soto-Sanfiel, Maria T, Freeman, Bradley C, Angulo-Brunet, Ariadna (2022-01-01). Understanding radio art reception. PROFESIONAL DE LA INFORMACION 31 (4). ScholarBank@NUS Repository. https://doi.org/10.3145/epi.2022.jul.16
Abstract: Radio art is understood as radio made by artists. The term is typically applied to sound-based artifacts produced and broadcast by means of the creative use of radio media affordances, infrastructure, and technologies. Radio art is known as any sound work conceived to expand the creative and aesthetic possibilities of the medium through the use of the elements of radiophonic language (voice, words, music, sound effects, and silence) with the intention to produce aesthetic messages and to move radio listeners. This study introduces radio art reception as a subject of scientific scrutiny. It proposes a model of radio art processing that includes involvement, art reception, and positive emotions as predictors of the willingness to listen to such works. After listening to each of two pieces of radio art, 126 Singaporean undergraduate communication students (MAge = 22.7, SD = 1.7) completed a questionnaire measuring involvement, art reception, perceived emotions, and willingness to listen to another radio art feature. The main results confirm our model of radio art reception: involvement predicts the audience’s cognitive stimulation generated by radio art, their artistic evaluation, and the positive attraction experienced by audiences towards them. The positive emotions experienced during consumption have a direct effect on the attraction towards radio art. Moreover, the specific radio art content affects the audiences’ responses. These results allow us to understand psychological responses to sound art. The hope is to attract the attention of communication and art researchers and invite them to deepen the existing knowledge about artistic sound through empirical studies, since debates about radio art and sound works are almost lacking from scientific literature.
Source Title: PROFESIONAL DE LA INFORMACION
URI: https://scholarbank.nus.edu.sg/handle/10635/243339
ISSN: 1386-6710
1699-2407
DOI: 10.3145/epi.2022.jul.16
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