Please use this identifier to cite or link to this item: https://doi.org/10.3145/epi.2022.jul.16
DC FieldValue
dc.titleUnderstanding radio art reception
dc.contributor.authorSoto-Sanfiel, Maria T
dc.contributor.authorFreeman, Bradley C
dc.contributor.authorAngulo-Brunet, Ariadna
dc.date.accessioned2023-07-24T00:54:42Z
dc.date.available2023-07-24T00:54:42Z
dc.date.issued2022-01-01
dc.identifier.citationSoto-Sanfiel, Maria T, Freeman, Bradley C, Angulo-Brunet, Ariadna (2022-01-01). Understanding radio art reception. PROFESIONAL DE LA INFORMACION 31 (4). ScholarBank@NUS Repository. https://doi.org/10.3145/epi.2022.jul.16
dc.identifier.issn1386-6710
dc.identifier.issn1699-2407
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/243339
dc.description.abstractRadio art is understood as radio made by artists. The term is typically applied to sound-based artifacts produced and broadcast by means of the creative use of radio media affordances, infrastructure, and technologies. Radio art is known as any sound work conceived to expand the creative and aesthetic possibilities of the medium through the use of the elements of radiophonic language (voice, words, music, sound effects, and silence) with the intention to produce aesthetic messages and to move radio listeners. This study introduces radio art reception as a subject of scientific scrutiny. It proposes a model of radio art processing that includes involvement, art reception, and positive emotions as predictors of the willingness to listen to such works. After listening to each of two pieces of radio art, 126 Singaporean undergraduate communication students (MAge = 22.7, SD = 1.7) completed a questionnaire measuring involvement, art reception, perceived emotions, and willingness to listen to another radio art feature. The main results confirm our model of radio art reception: involvement predicts the audience’s cognitive stimulation generated by radio art, their artistic evaluation, and the positive attraction experienced by audiences towards them. The positive emotions experienced during consumption have a direct effect on the attraction towards radio art. Moreover, the specific radio art content affects the audiences’ responses. These results allow us to understand psychological responses to sound art. The hope is to attract the attention of communication and art researchers and invite them to deepen the existing knowledge about artistic sound through empirical studies, since debates about radio art and sound works are almost lacking from scientific literature.
dc.language.isoen
dc.publisherEDICIONES PROFESIONALES INFORMACION SL-EPI
dc.sourceElements
dc.subjectSocial Sciences
dc.subjectScience & Technology
dc.subjectTechnology
dc.subjectCommunication
dc.subjectInformation Science & Library Science
dc.subjectRadio art
dc.subjectSound art
dc.subjectArtistic sound
dc.subjectArt reception
dc.subjectInvolvement
dc.subjectEmotions
dc.subjectRadiophonic language
dc.subjectRadio aesthetics
dc.subjectCreative radio
dc.subjectCreative sound
dc.subjectPath analysis
dc.subjectMedia psychology
dc.subjectPERCEPTUAL FLUENCY
dc.subjectPROCESSING FLUENCY
dc.subjectFIT INDEXES
dc.subjectINVOLVEMENT
dc.subjectATTENTION
dc.subjectAROUSAL
dc.subjectCOMPLEXITY
dc.subjectVALENCE
dc.subjectPERSUASION
dc.subjectJUDGMENTS
dc.typeArticle
dc.date.updated2023-07-20T10:08:20Z
dc.contributor.departmentCOMMUNICATIONS AND NEW MEDIA
dc.description.doi10.3145/epi.2022.jul.16
dc.description.sourcetitlePROFESIONAL DE LA INFORMACION
dc.description.volume31
dc.description.issue4
dc.published.statePublished
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