Please use this identifier to cite or link to this item: https://doi.org/10.1162/octo_a_00448
Title: <i>The Face of Another</i>: Isozaki, <i>Deme</i>, and the Postmodern Turn
Authors: Blanciak, Francois 
Issue Date: 30-Mar-2022
Publisher: MIT Press - Journals
Citation: Blanciak, Francois (2022-03-30). The Face of Another: Isozaki, Deme, and the Postmodern Turn. October (179) : 78-94. ScholarBank@NUS Repository. https://doi.org/10.1162/octo_a_00448
Abstract: Abstract Focusing on the early work and collaborations of the Japanese architect Arata Isozaki, this paper researches links between the robotic culture of postwar Japan and the surge of figuration in postmodernism, challenging the commonly held view that this architectural movement emerged in the West. Specifically, the paper looks at how Isozaki's robotic creation for Expo '70 embodied the notion of theatrical mask, which characterized both postmodern ideals and early Japanese robotics, and influenced his own architectural work. Delving into Isozaki's creative exchanges with the film director Hiroshi Teshigahara and the novelist Kōbō Abe, coming into contact with each other in the 1950s, a synergy between cinema, literature, and architecture is highlighted, considering their speculations about possible technological means of reconstructing the human face in light of the symbolic dimension of this enterprise for Japan as a nation, and for architecture as a discipline.
Source Title: October
URI: https://scholarbank.nus.edu.sg/handle/10635/228749
ISSN: 01622870
1536013X
DOI: 10.1162/octo_a_00448
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