Please use this identifier to cite or link to this item: https://doi.org/10.1145/1952222.1952245
Title: Who makes what sound? Supporting real-time musical improvisations of electroacoustic ensembles
Authors: Merritt, T.
Kow, W.
Ng, C.
McGee, K. 
Wyse, L.
Keywords: Acousmatic dislocation
Audio visualization
Electroacoustic music
Issue Date: 2010
Citation: Merritt, T.,Kow, W.,Ng, C.,McGee, K.,Wyse, L. (2010). Who makes what sound? Supporting real-time musical improvisations of electroacoustic ensembles. ACM International Conference Proceeding Series : 112-119. ScholarBank@NUS Repository. https://doi.org/10.1145/1952222.1952245
Abstract: Coordination between ensembles of improvising electroacoustic musicians is a special case of the larger HCI problem of coordinating joint, real-time activity; one that involves some interesting additional and different challenges. This paper reports on research that has identified two specific real-time coordination problems for ensembles of electroacoustic musicians: "who makes what sound? " and "how is the sound being altered? " Real-time sound visualization is explored as a possible solution to assist musicians in overcoming some of these challenges. The main contribution of this paper is that, counterintuitively, for certain kinds of joint, real-time, coordination activities, temporal representations are important in helping to determine "who did what?". Copyright the author(s) and CHISIG.
Source Title: ACM International Conference Proceeding Series
URI: http://scholarbank.nus.edu.sg/handle/10635/124282
ISBN: 9781450305020
DOI: 10.1145/1952222.1952245
Appears in Collections:Staff Publications

Show full item record
Files in This Item:
There are no files associated with this item.

SCOPUSTM   
Citations

5
checked on Aug 19, 2019

Page view(s)

30
checked on Aug 16, 2019

Google ScholarTM

Check

Altmetric


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.