Please use this identifier to cite or link to this item:
https://doi.org/10.3389/fpsyg.2023.1158172
DC Field | Value | |
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dc.title | AffectMachine-Classical: a novel system for generating affective classical music | |
dc.contributor.author | Kathleen Rose Agres | |
dc.contributor.author | Adyasha Dash | |
dc.contributor.author | Phoebe Jia Jia Chua | |
dc.contributor.editor | Wang, Lei | |
dc.date.accessioned | 2024-07-23T03:37:42Z | |
dc.date.available | 2024-07-23T03:37:42Z | |
dc.date.issued | 2023-06-06 | |
dc.identifier.citation | Kathleen Rose Agres, Adyasha Dash, Phoebe Jia Jia Chua (2023-06-06). AffectMachine-Classical: a novel system for generating affective classical music. Frontiers in Psychology 14. ScholarBank@NUS Repository. https://doi.org/10.3389/fpsyg.2023.1158172 | |
dc.identifier.issn | 1664-1078 | |
dc.identifier.uri | https://scholarbank.nus.edu.sg/handle/10635/249218 | |
dc.description.abstract | This work introduces a new music generation system, called AffectMachine-Classical, that is capable of generating affective Classic music in real-time. AffectMachine was designed to be incorporated into biofeedback systems (such as brain-computer-interfaces) to help users become aware of, and ultimately mediate, their own dynamic affective states. That is, this system was developed for music-based MedTech to support real-time emotion self-regulation in users. We provide an overview of the rule-based, probabilistic system architecture, describing the main aspects of the system and how they are novel. We then present the results of a listener study that was conducted to validate the ability of the system to reliably convey target emotions to listeners. The findings indicate that AffectMachine-Classical is very effective in communicating various levels of Arousal (R2 = 0.96) to listeners, and is also quite convincing in terms of Valence (R2 = 0.90). Future work will embed AffectMachine-Classical into biofeedback systems, to leverage the efficacy of the affective music for emotional wellbeing in listeners. | |
dc.description.uri | https://www.frontiersin.org/articles/10.3389/fpsyg.2023.1158172/full | |
dc.language.iso | en | |
dc.publisher | Frontiers | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.subject | affective computing | |
dc.subject | algorithmic composition | |
dc.subject | automatic music generation system | |
dc.subject | emotion regulation | |
dc.subject | listener validation study | |
dc.subject | music medtech | |
dc.type | Article | |
dc.contributor.department | INFORMATION SYSTEMS & ANALYTICS | |
dc.contributor.department | YONG SIEW TOH CONSERVATORY OF MUSIC | |
dc.description.doi | 10.3389/fpsyg.2023.1158172 | |
dc.description.sourcetitle | Frontiers in Psychology | |
dc.description.volume | 14 | |
dc.published.state | Published | |
dc.grant.id | A20G8b0102 | |
dc.grant.fundingagency | Agency for Science, Technology and Research, A*STAR | |
Appears in Collections: | Staff Publications Elements |
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