Please use this identifier to cite or link to this item:
https://doi.org/10.1080/17510694.2023.2223397
DC Field | Value | |
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dc.title | What happens behind the ‘transnational’ of transnational films? Examining China and South Korea’s co-productions | |
dc.contributor.author | Soh, Kai Ruo | |
dc.date.accessioned | 2023-07-26T02:28:14Z | |
dc.date.available | 2023-07-26T02:28:14Z | |
dc.date.issued | 2023 | |
dc.identifier.citation | Soh, Kai Ruo (2023). What happens behind the ‘transnational’ of transnational films? Examining China and South Korea’s co-productions. Creative Industries Journal : 1-13. ScholarBank@NUS Repository. https://doi.org/10.1080/17510694.2023.2223397 | |
dc.identifier.issn | 1751-0708 | |
dc.identifier.issn | 1751-0694 | |
dc.identifier.uri | https://scholarbank.nus.edu.sg/handle/10635/243490 | |
dc.description.abstract | The global popularity of the Korean Wave has enhanced the reputation of South Korea’s (hereafter Korea) creative industries, making Korea an ideal collaborator for China as they develop and produce ‘created in China’ content. Focusing on China’s film industry, as of 2021, China sits at the top spot in terms of box office revenues and has been opened to co-producing with other national industries. To promote cultural flows in East Asia, Koreans are keen to develop the relationship due to China’s growing reach and its promising returns. But when transnational collaborations such as co-producing takes place, it can result in various forms of cultural complexity that may hinder discussions and negotiations. Through semi-structured interviews with Korean filmmakers, the paper examines how complexities are untangled when the two nations collaborate. Demonstrating the importance of obtaining cultural intelligence, the paper shows how cultural capital impacts Korean filmmakers as they navigate language and cultural differences. | |
dc.publisher | Informa UK Limited | |
dc.source | Elements | |
dc.subject | Transnational film | |
dc.subject | film co-production | |
dc.subject | cultural capital | |
dc.subject | cultural intelligence | |
dc.subject | Chinese cinema | |
dc.subject | Korean cinema | |
dc.type | Article | |
dc.date.updated | 2023-07-20T08:43:07Z | |
dc.contributor.department | COMMUNICATIONS AND NEW MEDIA | |
dc.description.doi | 10.1080/17510694.2023.2223397 | |
dc.description.sourcetitle | Creative Industries Journal | |
dc.description.page | 1-13 | |
dc.published.state | Unpublished | |
Appears in Collections: | Staff Publications Elements |
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What happens behind the transnational of transnational films Examining China and South Korea s co productions.pdf | Published version | 1.12 MB | Adobe PDF | CLOSED | Published |
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