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Please use this identifier to cite or link to this item: https://doi.org/10.1017/S0022463405000160
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dc.titleMasks and selves in contemporary Java: The dances of Didik Nini Thowok
dc.contributor.authorMrazek, J.
dc.date.accessioned2011-04-20T08:29:33Z
dc.date.available2011-04-20T08:29:33Z
dc.date.issued2005
dc.identifier.citationMrazek, J. (2005). Masks and selves in contemporary Java: The dances of Didik Nini Thowok. Journal of Southeast Asian Studies 36 (2) : 249-279. ScholarBank@NUS Repository. https://doi.org/10.1017/S0022463405000160
dc.identifier.issn00224634
dc.identifier.urihttp://scholarbank.nus.edu.sg/handle/10635/21692
dc.description.abstractThis essay reflects on the plays of masks and selves in the dances and the life of Didik Nini Thowok, and the resonances between dance and life. An Indonesian of Chinese descent and a female impersonator whose comic dances combine different regional styles, Didik upsets notions of ethnic and gender stereotypes and identities, the notion of identity itself. © 2005 The National University of Singapore.
dc.description.urihttp://libproxy1.nus.edu.sg/login?url=http://dx.doi.org/10.1017/S0022463405000160
dc.sourceScopus
dc.typeArticle
dc.contributor.departmentSOUTHEAST ASIAN STUDIES
dc.description.doi10.1017/S0022463405000160
dc.description.sourcetitleJournal of Southeast Asian Studies
dc.description.volume36
dc.description.issue2
dc.description.page249-279
dc.identifier.isiutNOT_IN_WOS
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