Please use this identifier to cite or link to this item: https://doi.org/10.4000/archipel.448
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dc.titleWatching a Singapore drag comédian: A semiotic analysis of kumar in a YouTube video
dc.contributor.authorSew, JW
dc.date.accessioned2022-01-31T01:20:06Z
dc.date.available2022-01-31T01:20:06Z
dc.date.issued2017-01-01
dc.identifier.citationSew, JW (2017-01-01). Watching a Singapore drag comédian: A semiotic analysis of kumar in a YouTube video. Archipel 94 (94) : 121-142. ScholarBank@NUS Repository. https://doi.org/10.4000/archipel.448
dc.identifier.issn00448613
dc.identifier.issn21043655
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/214458
dc.description.abstractThis visual study of Kumar, a drag comedian from Singapore, examines aspects of political semiotics on aging in Singapore. As a digital record of performing arts, the YouTube-video (Nur Fasihah 2012, http://buttonsinthebread.com/2012/06/29/happy-ever-laughter/) shows footage of Kumar poking fun at Toh Yi Drive residents' initial reactions to a government- proposed nursing home construction in their estate. The thunderous laughter from the floor suggests that Kumar manages successfully his comedic connection with a primarily English- speaking audience. Based on the audio-visual segment, this discussion identifies the discursive variables underpinning the incisive twists in Kumar's onstage comical repertoire.
dc.publisherOpenEdition
dc.sourceElements
dc.typeArticle
dc.date.updated2022-01-30T04:31:42Z
dc.contributor.departmentSOLAR ENERGY RESEARCH INST OF S'PORE
dc.description.doi10.4000/archipel.448
dc.description.sourcetitleArchipel
dc.description.volume94
dc.description.issue94
dc.description.page121-142
dc.description.placeFrance
dc.published.statePublished
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