Please use this identifier to cite or link to this item: https://doi.org/10.1177/1357034X05058017
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dc.titleIntroduction -- Bodily Performance: On Aura and Reproducibility
dc.contributor.authorTurner, B.S.
dc.date.accessioned2016-11-28T10:20:38Z
dc.date.available2016-11-28T10:20:38Z
dc.date.issued2005-12
dc.identifier.citationTurner, B.S. (2005-12). Introduction -- Bodily Performance: On Aura and Reproducibility. Body & Society 11 (4) : 1-17. ScholarBank@NUS Repository. <a href="https://doi.org/10.1177/1357034X05058017" target="_blank">https://doi.org/10.1177/1357034X05058017</a>
dc.identifier.issn1357034X
dc.identifier.urihttp://scholarbank.nus.edu.sg/handle/10635/131471
dc.description.abstractThe author discusses Walter Benjamin's concepts of art & authenticity, arguing that the aura of dance can never be fully subordinated to modern techniques of reproduction. Dance is a text that has a national script -- ballet in China is different from modern dance in the United States, & it is also a gendered form. Nevertheless, Benjamin's aesthetics finds their most compelling realization in the presence of the aura of a moving body. D. Knaff.
dc.description.urihttp://libproxy1.nus.edu.sg/login?url=http://dx.doi.org/10.1177/1357034X05058017
dc.sourceScopus
dc.typeArticle
dc.contributor.departmentASIA RESEARCH INSTITUTE
dc.description.doi10.1177/1357034X05058017
dc.description.sourcetitleBody & Society
dc.description.volume11
dc.description.issue4
dc.description.page1-17
dc.description.codenBOSOF
dc.identifier.isiutNOT_IN_WOS
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