Please use this identifier to cite or link to this item: https://doi.org/10.1075/ps.1.2.03hir
DC FieldValue
dc.titleAnime and intertextualities: Hegemonic identities in Cowboy Bebop
dc.contributor.authorHiramoto, M.
dc.date.accessioned2016-09-05T09:18:33Z
dc.date.available2016-09-05T09:18:33Z
dc.date.issued2010
dc.identifier.citationHiramoto, M. (2010). Anime and intertextualities: Hegemonic identities in Cowboy Bebop. Pragmatics and Society 1 (2) : 234-256. ScholarBank@NUS Repository. https://doi.org/10.1075/ps.1.2.03hir
dc.identifier.issn18789714
dc.identifier.urihttp://scholarbank.nus.edu.sg/handle/10635/126419
dc.description.abstractCowboy Bebop, a popular anime series set in the year 2071 onboard the spaceship Bebop, chronicles the bohemian adventures of a group of bounty hunters. This paper presents how the imaginary characters and their voices are conventionalized to ft hegemonic norms. The social semiotic of desire depicted in Cowboy Bebop caters to a general heterosexual market in which hero and babe characters represent the anime archetypes of heterosexual normativity. Scripted speech used in the anime functions as a role language which indexes common ideological attributes associated with a character's demeanor. This study focuses on how ideas, including heterosexual normativity and culture-specifc practices, are reproduced in media texts in order to negotiate the intertextual distances that link the characters and audience. © John Benjamins Publishing Company.
dc.description.urihttp://libproxy1.nus.edu.sg/login?url=http://dx.doi.org/10.1075/ps.1.2.03hir
dc.sourceScopus
dc.subjectAnime
dc.subjectIndexicality
dc.subjectIntertextuality
dc.subjectJapanese
dc.subjectNaturalization
dc.subjectRole language
dc.typeArticle
dc.contributor.departmentENGLISH LANGUAGE & LITERATURE
dc.description.doi10.1075/ps.1.2.03hir
dc.description.sourcetitlePragmatics and Society
dc.description.volume1
dc.description.issue2
dc.description.page234-256
dc.identifier.isiut000208804500004
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