Please use this identifier to cite or link to this item:
|Title:||The global return of the Wu Xia Pian (Chinese sword-fighting movie): Ang Lee's Crouching Tiger, Hidden Dragon|
|Source:||Chan, K. (2004-06). The global return of the Wu Xia Pian (Chinese sword-fighting movie): Ang Lee's Crouching Tiger, Hidden Dragon. Cinema Journal 43 (4) : 3-17. ScholarBank@NUS Repository. https://doi.org/10.1353/cj.2004.0030|
|Abstract:||In examining the way Ang Lee's Crouching Tiger, Hidden Dragon grapples with cultural identity and Chineseness, this essay considers Lee's construction of an image of "China" in the film, as well as its feminist possibilities. These readings reveal Lee's conflicted critique of traditional Chinese cultural centrism and patriarchal hegemony. © 2004 by the University of Texas Press.|
|Source Title:||Cinema Journal|
|Appears in Collections:||Staff Publications|
Show full item record
Files in This Item:
There are no files associated with this item.
checked on Jan 16, 2018
WEB OF SCIENCETM
checked on Nov 17, 2017
checked on Jan 13, 2018
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.