Please use this identifier to cite or link to this item: https://doi.org/10.34899/RANDHX
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dc.titleRelated data for: Technology in a New Key: Toward a Reexamination of Musical Theory and Practice in the Zeng Hou Yi 曾侯乙 Bells
dc.contributor.authorCook, Scott Bradley
dc.date.accessioned2022-11-14T06:40:30Z
dc.date.available2022-11-14
dc.date.issued2022-09-04
dc.identifier.citationCook, Scott Bradley (2022-09-04). Related data for: Technology in a New Key: Toward a Reexamination of Musical Theory and Practice in the Zeng Hou Yi 曾侯乙 Bells. ScholarBank@NUS Repository. [Dataset]. <a href="https://doi.org/10.34899/RANDHX" target="_blank">https://doi.org/10.34899/RANDHX</a>
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/234475
dc.description.abstractAccompanying music audio files and music notation files for: "Technology in a New Key: Toward a Reexamination of Musical Theory and Practice in the Zeng Hou Yi Bells." This paper takes a fresh look at the music-theoretical information to be gleaned from a comparison of pitch-frequency measurements to inscriptional information from the massive bronze bell-set excavated from the tomb of Marquis Yi of Zeng (d. ca. 433 BCE), and attempts to place it in the context of the roughly parallel knowledge derived from received texts of Warring States China. After briefly examining a couple of important textual witnesses to conceptions of music theory from that era, the paper then examines how similar conceptions may have informed the inscribers of the Zeng Hou Yi bells, who, concerned with more practical musical ends, employed a system of nomenclature that diverged in subtle yet important ways from the formulations of their philosophical counterparts. The final two sections then explore possible implications of the bells’ relatively unique terminology from the standpoints of scale structures and musical temperament, respectively, looking for any consistent patterns to be found among tone-to-key distributions across the bells, as well as clues to the possible deployment of a system of intonation designed to provide a means of tempering the twelve-tone gamut in order that such a range of different scales played in distinct keys over several octaves would have even been possible in the first place. (2020-03-16).
dc.description.abstractMusic audio data; Music notation data
dc.description.abstractSoftware: Sibelius
dc.language.isozh
dc.language.isoen
dc.rightsCC-BY-NC - "Creative Commons license - attribution required and for non-commercial use only"
dc.sourcehttps://dataverse.yale-nus.edu.sg/dataset.xhtml?persistentId=doi:10.34899/RANDHX
dc.subjectMarquis Yi of Zeng (Zeng Hou Yi)
dc.subjectbronze bells
dc.subjectWarring States music
dc.subjectearly Chinese music
dc.subjectmusic theory
dc.subjectArts and Humanities
dc.typeDataset
dc.contributor.departmentYALE-NUS COLLEGE
dc.description.doidoi:10.34899/RANDHX
dc.grant.fundingagencyTan Chin Tuan Research Fund
dc.relation.item10.1163/15685322-10634P01
dc.type.dataset.rar
dc.description.contactprofileCook, Scott Bradley
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Zeng Hou Yi 曾侯乙 Bells.rarAccompanying music audio files and music notation files. It is best to view and hear all these files in the Sibelius software format (*.sib) in folder "01_Sibelius files"; those who do not possess this software, however, may listen to them in the midi format (*.mid) and view them with the accompanying *.pdf files in folder "02_Midi and pdf files".400.87 kBRAR Archive

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