Please use this identifier to cite or link to this item:
https://scholarbank.nus.edu.sg/handle/10635/228481
| DC Field | Value | |
|---|---|---|
| dc.title | PLAYING WITNESS: PHOTOGRAPHS AND POST-MARTIAL LAW TAIWANESE CONSCIOUSNESS | |
| dc.contributor.author | CHOONG SHI JIE | |
| dc.date.accessioned | 2022-07-14T04:00:02Z | |
| dc.date.available | 2022-07-14T04:00:02Z | |
| dc.date.issued | 2022-03-30 | |
| dc.identifier.citation | CHOONG SHI JIE (2022-03-30). PLAYING WITNESS: PHOTOGRAPHS AND POST-MARTIAL LAW TAIWANESE CONSCIOUSNESS. ScholarBank@NUS Repository. | |
| dc.identifier.uri | https://scholarbank.nus.edu.sg/handle/10635/228481 | |
| dc.description.abstract | As visual materials, photographs play an active role in shaping how people perceive the world, their social groups, and themselves. Applying the study of photographs to post-White Terror Taiwan may thus open up new areas of analysis beyond that of transitional justice. | |
| dc.subject | Taiwan | |
| dc.subject | Photography | |
| dc.subject | Visual Culture | |
| dc.subject | Taiwanese Consciousnes | |
| dc.subject | Indigenous Photography | |
| dc.type | Thesis | |
| dc.contributor.department | HISTORY | |
| dc.contributor.supervisor | KUNG CHIEN WEN | |
| dc.description.degree | BACHELOR'S | |
| dc.description.degreeconferred | BACHELOR OF ARTS (HONOURS) | |
| Appears in Collections: | Bachelor's Theses | |
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| File | Description | Size | Format | Access Settings | Version | |
|---|---|---|---|---|---|---|
| CHOONG SHI JIE.pdf | 2.41 MB | Adobe PDF | RESTRICTED | None | Log In |
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