Please use this identifier to cite or link to this item: https://scholarbank.nus.edu.sg/handle/10635/220608
DC FieldValue
dc.titleHERE - A STUDY ON FILM
dc.contributor.authorTEO HUILIN, SHARLENE
dc.date.accessioned2010-02-19T02:35:53Z
dc.date.accessioned2022-04-22T17:13:25Z
dc.date.available2019-09-26T14:13:56Z
dc.date.available2022-04-22T17:13:25Z
dc.date.issued2010-02-19T02:35:53Z
dc.identifier.citationTEO HUILIN, SHARLENE (2010-02-19T02:35:53Z). HERE - A STUDY ON FILM. ScholarBank@NUS Repository.
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/220608
dc.description.abstractThis dissertation is a study of the local film ‘Here’, written and directed by local film maker, Ho Tzu Nyen. Through investigating the illusionary nature of spaces embedded within the film, the paper endeavors to draw a critical discussion around the writer’s theme ‘Here’ and attempt to identify and interpret spaces that are formed. It is through this interpretation of spaces in film, which transcends both dimensions of space and time, can we begin to understand the logic and mechanisms behind the fabrication of these fictional as well as real spaces. In the film ‘Here’, Ho has implemented his own logic of framework in film‐making which differs from the typical, through various techniques of arousing the sensations and disrupting the mind, in order to evoke the spectator’s self‐consciousness. This ‘increases the layers of interpretation of spaces’1 in the film’s narrative according to Ho, which now, not only involves the film as an art piece viewed on its own but includes the spectator and director as part of the artistic construct. This interaction and imagination required from the spectator allows one to walk away from the cinema in a trance, with the fascination of translating the intellectual into the physical and the sensual unlike the ordinary immersive environments laid out in cinema space. The paper explores what the filmic experience entails for the notions of logic of space that governs architecture and the psychologies of sense and consciousness with respect to these spaces, by relating theories of perception and phenomenology by various philosophers as a vital mode of reference in interpreting these spaces created, imagined or proposed.
dc.language.isoen
dc.sourcehttps://lib.sde.nus.edu.sg/dspace/handle/sde/465
dc.subjectArchitecture
dc.subjectDesign Track
dc.subjectWong Chong Thai Bobby
dc.subjectFilm
dc.typeDissertation
dc.contributor.departmentARCHITECTURE
dc.contributor.supervisorWONG CHONG THAI BOBBY
dc.description.degreeMaster's
dc.description.degreeconferredMASTER OF ARCHITECTURE (M.ARCH)
Appears in Collections:Master's Theses (Restricted)

Show simple item record
Files in This Item:
File Description SizeFormatAccess SettingsVersion 
Teo Huilin Sharlene 2009-2010.pdf956.65 kBAdobe PDF

RESTRICTED

NoneLog In

Page view(s)

6
checked on Feb 2, 2023

Download(s)

1
checked on Feb 2, 2023

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.