Please use this identifier to cite or link to this item: https://scholarbank.nus.edu.sg/handle/10635/220574
DC FieldValue
dc.titleTHE PEEKABOOUTIQUE EFFECT : OOHS AND AHHS OF PEEKING INTO THE CREATIVE SHOPHOUSE BOUTIQUE HOTEL
dc.contributor.authorCHEN JIAYING DAWN
dc.date.accessioned2012-01-18T04:46:53Z
dc.date.accessioned2022-04-22T17:12:38Z
dc.date.available2019-09-26T14:13:56Z
dc.date.available2022-04-22T17:12:38Z
dc.date.issued2012-01-18
dc.identifier.citationCHEN JIAYING DAWN (2012-01-18). THE PEEKABOOUTIQUE EFFECT : OOHS AND AHHS OF PEEKING INTO THE CREATIVE SHOPHOUSE BOUTIQUE HOTEL. ScholarBank@NUS Repository.
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/220574
dc.description.abstractVery often, ‘creativity’ is loosely associated with the cause of an outwardly observable ‘dynamism’, rendering it into nothing much more than another frivolous descriptive word. The author believes that there should be more to this than that which meets the eye –instead of seeing creativity as ‘product’, it could be understood as ‘practice’. Thus, this paper questions where the moment of creativity really is, how it is reached, and if it would involve a more intimate and personal affair. To facilitate this research, a framework relating platform, subject and creative moment relationships is established, while discursively incorporating a literature review of an article which positions ‘shophouse boutique hotels’ as creative platforms contributory to the creative city of Singapore. As the paper goes on, platform spaces are understood to be ambiguous and also ‘void’, that is, void of prescriptions. The paper then posits that the process of creativity is internal, with the subject encountering epiphany with respect to the platform. He is triggered to suspension, conversion, and then ‘actions’. This paper peeks a little deeper into one shophouse boutique hotel in Singapore, proposing that these hotel platforms possess three eclectic auras leading to their ambiguity: the ‘shophouse’, the ‘hotel’, and lastly the ‘boutique’. As the subject encounters the platform, he meets with the auras and goes through a series of intimate ‘arousing interactions’ which open and unload –much of the drama is internalised within the subject. At the end, this paper finds a creative moment and achieves a positive outlook.
dc.language.isoen
dc.sourcehttps://lib.sde.nus.edu.sg/dspace/handle/sde/1878
dc.subjectArchitecture
dc.subjectDesign Track
dc.subjectWong Chong Thai Bobby
dc.subject2011/2012 DT
dc.typeDissertation
dc.contributor.departmentARCHITECTURE
dc.contributor.supervisorWONG CHONG THAI BOBBY
dc.description.degreeMaster's
dc.description.degreeconferredMASTER OF ARCHITECTURE (M.ARCH)
dc.embargo.terms2012-01-19
Appears in Collections:Master's Theses (Restricted)

Show simple item record
Files in This Item:
File Description SizeFormatAccess SettingsVersion 
Chen Jiaying Dawn 2011-2012.pdf7.66 MBAdobe PDF

RESTRICTED

NoneLog In

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.