THE ROAD LESS TRAVELLED : AMATEURS IN SINGAPORE POP MUSIC SCENE

Abstract

The community of amateur pop musicians in Singapore is interesting but problematic. Amateurs are serious about their side interests and they tend to put in much time and money in these activities. However, outsiders are unable to understand their commitment. Major social institutions have shaped the local music scene, and continue to influence the industry. The local population commonly perceives musicians unfavourable, and this profession is not well respected. Organisations such as the state and media do not support the development of this entertainment industry. Besides, economic factors also work against amateur musicians. As a result, the public, including families and friends, does not encourage these individuals to pursue their interest. Located in such a social world, individuals are often at the mercy of various powerful social forces. In Singapore, it is difficult to make music, even as an amateur. However, amateur musicians have tried to exercise a degree of autonomy and creativity, and persist carrying on with their activities. Individuals, being active agents, interpret and respond to the situation differently. Depending on the values and meanings attached, they choose to act in different manners. In this way, their actions produce and reproduce the musical world they participate in. Thus, both the social institutions and the musicians play a part in the making of a musical world people interact in. This thesis will explore the music industry of Singapore, through an analysis of the major social influences and experiences of amateur musicians.