Please use this identifier to cite or link to this item: https://scholarbank.nus.edu.sg/handle/10635/176245
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dc.titleHEROISM ON SCREEN: A COMPARATIVE STUDY BETWEEN EASTERN AND WESTERN ACTION FILMS
dc.contributor.authorNEO YI HUI
dc.date.accessioned2020-09-15T09:23:51Z
dc.date.available2020-09-15T09:23:51Z
dc.date.issued2020-04-17
dc.identifier.citationNEO YI HUI (2020-04-17). HEROISM ON SCREEN: A COMPARATIVE STUDY BETWEEN EASTERN AND WESTERN ACTION FILMS. ScholarBank@NUS Repository.
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/176245
dc.description.abstractConcepts of heroism have been heralded into glory by action cinema over the past decades. This thesis critically analyses the connection between the heroic agency and action films through cinematic and narrative discourse analysis of the Eastern and Western motion pictures. The different social and cultural factors which influenced the representations of heroism on the screens will also be discussed. A detailed comparative analysis will be done across four films: Police Story (1985), Die Hard (1988), Ip Man (2008) and John Wick (2014), to allow clarity across different times and cultures.
dc.typeThesis
dc.contributor.departmentCOMMUNICATIONS AND NEW MEDIA
dc.contributor.supervisorTAN KAI EN
dc.description.degreeBachelor's
dc.description.degreeconferredBachelor of Social Sciences (Honours)
Appears in Collections:Bachelor's Theses

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