Please use this identifier to cite or link to this item: https://scholarbank.nus.edu.sg/handle/10635/165255
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dc.titlePOST-FEMINISM IN SOUTH KOREAN DRAMA: MY ID IS GANGNAM BEAUTY
dc.contributor.authorSIN JIA YING
dc.date.accessioned2020-03-09T07:06:56Z
dc.date.available2020-03-09T07:06:56Z
dc.date.issued2019-04-18
dc.identifier.citationSIN JIA YING (2019-04-18). POST-FEMINISM IN SOUTH KOREAN DRAMA: MY ID IS GANGNAM BEAUTY. ScholarBank@NUS Repository.
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/165255
dc.description.abstractSouth Korea has been facing persistent gender inequality and women-related social problems such as misogyny and sexism. In the meantime, women are portrayed, and thought to be, autonomous and free from structural inequalities, which are important and main tenants of what Gill (2007) defines as the post-feminism sensibility. Hence, the main question is: to what extent, and how, has Korea fulfilled this sensibility? Using the well-received drama "My ID Is Gangnam Beauty" as a window to gender relations in Korea, this thesis hopes to analyse how the post-feminism sensibility is represented in Korean dramas.
dc.typeThesis
dc.contributor.departmentCOMMUNICATIONS AND NEW MEDIA
dc.contributor.supervisorAUDREY YUE ING-SUN
dc.description.degreeBachelor's
dc.description.degreeconferredBachelor of Social Sciences (Honours)
dc.published.stateUnpublished
Appears in Collections:Bachelor's Theses

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