Please use this identifier to cite or link to this item: https://scholarbank.nus.edu.sg/handle/10635/16345
DC FieldValue
dc.titleLiterati Entrepreneur: Wei Zhiyan in the Tonkin-Nagasaki Silk Trade
dc.contributor.authorIIOKA NAOKO
dc.date.accessioned2010-04-08T11:03:46Z
dc.date.available2010-04-08T11:03:46Z
dc.date.issued2009-12-01
dc.identifier.citationIIOKA NAOKO (2009-12-01). Literati Entrepreneur: Wei Zhiyan in the Tonkin-Nagasaki Silk Trade. ScholarBank@NUS Repository.
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/16345
dc.description.abstractThis study attempts to discern the nature of the Chinese junk trade during the seventeenth century by examining social, religious and cultural ties among Chinese maritime traders and the influence of these ties on the organization of trade. Based on Dutch, English, Japanese, Chinese and Vietnamese sources, it investigates the activities of the Wei brothers in the Tonkin-Nagasaki silk trade from the 1630s to the 1680s. In doing so, it will argue that Chinese maritime networks were developed on the basis of economic, kinship, religious and cultural affiliations embedded in the social and commercial development of the late-Ming gentry society in China, and therefore that the nature of the early modern Chinese junk trade was in essence private and informal. At the same time, it demonstrates that biographical study can be a useful tool for writing history, as it complements the limitations of the approaches defined by the modern nation states.
dc.language.isoen
dc.subjectTonkin Nagasaki Chinese Silk Trade
dc.typeThesis
dc.contributor.departmentHISTORY
dc.contributor.supervisorANTHONY JOHN STANHOPE REID
dc.description.degreePh.D
dc.description.degreeconferredDOCTOR OF PHILOSOPHY
dc.identifier.isiutNOT_IN_WOS
Appears in Collections:Ph.D Theses (Open)

Show simple item record
Files in This Item:
File Description SizeFormatAccess SettingsVersion 
Iioka N.pdf15.08 MBAdobe PDF

OPEN

NoneView/Download

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.