Please use this identifier to cite or link to this item: https://scholarbank.nus.edu.sg/handle/10635/155628
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dc.titleSEEING THROUGH HER WORLD: THE POLITICS OF REPRESENTATIONS OF PROFESSIONAL WOMEN IN 1970S SINGAPORE
dc.contributor.authorWON JIA MIN
dc.date.accessioned2019-06-17T02:56:05Z
dc.date.available2019-06-17T02:56:05Z
dc.date.issued2019-04-22
dc.identifier.citationWON JIA MIN (2019-04-22). SEEING THROUGH HER WORLD: THE POLITICS OF REPRESENTATIONS OF PROFESSIONAL WOMEN IN 1970S SINGAPORE. ScholarBank@NUS Repository.
dc.identifier.urihttps://scholarbank.nus.edu.sg/handle/10635/155628
dc.description.abstractThe 1970s renewed domestic and international interests in the roles of women in Singapore. At home, with higher education and smaller families, women became more involved in the workforce. Simultaneously, the second wave of feminism spread throughout the world. During this period, professional women emerged as a sub-section of women in Singapore. Throughout the decade, various debates surrounded their identities. Her World's chief editor, Betty Khoo, had surmised the 70s as a fascinating yet confusing time for professional women like herself. This thesis examines representations of professional women portrayed in Her World magazines in the 1970s. Much academic scholarship has focused on the co-option of professional women into the state’s discourse of women in Singapore. In particular, scholars assumed that professional women complied to state-sanctioned gendered roles. On the other hand, some scholars have sought to create an alternative image of professional women. They considered the 'dangerous sexuality' of professional women to illustrate how professional women have actively resisted the state's manipulation of gendered discourse. These two camps of scholars have centred their discussion on the national narrative, examining sources such as parliamentary debates and national newspapers that discussed professional women in relation to family members and male co-workers. This thesis therefore seeks to complicate existing understandings of professional women. By exploring the relative and self-perceptions of professional women via a cultural product of their own creation, I hope to demonstrate that a two-way relationship between professional women as individuals, and the larger national narrative. As a social group, professional women have appropriated and modified state-directed gendered tropes in the 1970s. Professional women portrayed in Her World demonstrated that they were well-placed to assert their own interests and identities.
dc.subjectsub-section
dc.subjectwork-family challenge
dc.subjectnegotiation
dc.subjectsocial acceptance
dc.subjectrespectable modernity
dc.subjecttraditional values
dc.subjectsocial good
dc.subjectgender typicality
dc.subjectmulti-faceted image
dc.subjectpeer support
dc.typeThesis
dc.contributor.departmentHISTORY
dc.contributor.supervisorJOHN PRABHU SOLOMON
dc.description.degreeBachelor's
dc.description.degreeconferredBACHELOR OF ARTS (HONOURS)
Appears in Collections:Bachelor's Theses

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