Please use this identifier to cite or link to this item: https://scholarbank.nus.edu.sg/handle/10635/14890
DC FieldValue
dc.title'Method in the madness?': VOT in Singaporean native languages and English
dc.contributor.authorNG SANDY
dc.date.accessioned2010-04-08T10:47:52Z
dc.date.available2010-04-08T10:47:52Z
dc.date.issued2005-10-12
dc.identifier.citationNG SANDY (2005-10-12). 'Method in the madness?': VOT in Singaporean native languages and English. ScholarBank@NUS Repository.
dc.identifier.urihttp://scholarbank.nus.edu.sg/handle/10635/14890
dc.description.abstractThe current study investigates the realisation of Voice Onset Time (VOT) for oral stops in the Singaporean context. The relations between VOT of the stops and the phonological stop inventories of the five native languages of Singapore-- Mandarin, Hokkien, Cantonese, Malay and Tamil-- are documented. Measures of VOT of stops by speakers of these five languages and the corresponding Singapore English (SE) varieties suggest both substrate influences and the presence of a pan-SE normalising force in the production of SE. The patterns of VOT distribution are certainly rule-governed, though not always transparent and straightforward. Our understanding of English varieties in complex contact areas, such as Singapore, is enriched by the consideration of substrate and normalising factors.
dc.language.isoen
dc.subjectacoustic phonetics, phonology, voice onset time, Singapore, phonological categories, substrate influence
dc.typeThesis
dc.contributor.departmentENGLISH LANGUAGE & LITERATURE
dc.contributor.supervisorMARK DONOHUE
dc.description.degreeMaster's
dc.description.degreeconferredMASTER OF ARTS
dc.identifier.isiutNOT_IN_WOS
Appears in Collections:Master's Theses (Open)

Show simple item record
Files in This Item:
File Description SizeFormatAccess SettingsVersion 
1title.pdf7.72 kBAdobe PDF

OPEN

NoneView/Download
2.pdf22.93 kBAdobe PDF

OPEN

NoneView/Download
3.pdf2.1 MBAdobe PDF

OPEN

NoneView/Download

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.