The global return of the Wu Xia Pian (Chinese sword-fighting movie): Ang Lee's Crouching Tiger, Hidden Dragon

Please use this identifier to cite or link to this item: https://doi.org/10.1353/cj.2004.0030

DC Field	Value
dc.title	The global return of the Wu Xia Pian (Chinese sword-fighting movie): Ang Lee's Crouching Tiger, Hidden Dragon
dc.contributor.author	Chan, K.
dc.date.accessioned	2016-11-17T08:39:29Z
dc.date.available	2016-11-17T08:39:29Z
dc.date.issued	2004-06
dc.identifier.citation	Chan, K. (2004-06). The global return of the Wu Xia Pian (Chinese sword-fighting movie): Ang Lee's Crouching Tiger, Hidden Dragon. Cinema Journal 43 (4) : 3-17. ScholarBank@NUS Repository. https://doi.org/10.1353/cj.2004.0030
dc.identifier.issn	00097101
dc.identifier.uri	http://scholarbank.nus.edu.sg/handle/10635/130635
dc.description.abstract	In examining the way Ang Lee's Crouching Tiger, Hidden Dragon grapples with cultural identity and Chineseness, this essay considers Lee's construction of an image of "China" in the film, as well as its feminist possibilities. These readings reveal Lee's conflicted critique of traditional Chinese cultural centrism and patriarchal hegemony. © 2004 by the University of Texas Press.
dc.description.uri	http://libproxy1.nus.edu.sg/login?url=http://dx.doi.org/10.1353/cj.2004.0030
dc.source	Scopus
dc.type	Review
dc.contributor.department	UNIVERSITY SCHOLARS PROGRAMME
dc.description.doi	10.1353/cj.2004.0030
dc.description.sourcetitle	Cinema Journal
dc.description.volume	43
dc.description.issue	4
dc.description.page	3-17
dc.identifier.isiut	000224111900001
Appears in Collections:	Staff Publications

There are no files associated with this item.

Check