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|Title:||The global return of the Wu Xia Pian (Chinese sword-fighting movie): Ang Lee's Crouching Tiger, Hidden Dragon||Authors:||Chan, K.||Issue Date:||Jun-2004||Citation:||Chan, K. (2004-06). The global return of the Wu Xia Pian (Chinese sword-fighting movie): Ang Lee's Crouching Tiger, Hidden Dragon. Cinema Journal 43 (4) : 3-17. ScholarBank@NUS Repository. https://doi.org/10.1353/cj.2004.0030||Abstract:||In examining the way Ang Lee's Crouching Tiger, Hidden Dragon grapples with cultural identity and Chineseness, this essay considers Lee's construction of an image of "China" in the film, as well as its feminist possibilities. These readings reveal Lee's conflicted critique of traditional Chinese cultural centrism and patriarchal hegemony. © 2004 by the University of Texas Press.||Source Title:||Cinema Journal||URI:||http://scholarbank.nus.edu.sg/handle/10635/130635||ISSN:||00097101||DOI:||10.1353/cj.2004.0030|
|Appears in Collections:||Staff Publications|
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