Please use this identifier to cite or link to this item:
|Title:||Popular cultural cringe: Language as signifier of authenticity and quality in the Singaporean popular music market|
|Citation:||Mattar, Y. (2009-05). Popular cultural cringe: Language as signifier of authenticity and quality in the Singaporean popular music market. Popular Music 28 (2) : 179-195. ScholarBank@NUS Repository. https://doi.org/10.1017/S0261143009001779|
|Abstract:||This article looks at the popular music industry in Singapore and argues that there exists a 'cultural cringe' for domestic English-language music, which is considered as inferior to English-language music from Western countries. Singaporean consumers of popular music use the English language as a signifier of authenticity and consequently quality of musicians. Local musicians are deemed 'inauthentic' because consumers perceive the local variant of English spoken in Singapore is inferior to other variants of English spoken in Western countries. There is thus an underlying sub-text of an inferiority complex coming out of the post-colonial experience that effectively diminishes the possibility of success as English-language musicians. Yet, such a phenomenon is not observed in the vernacular Malay and Chinese-language music industries. In the final analysis, this article suggests that modernisation and modernity for Singapore is neither completely localised nor completely imposed: there exists a negotiation in the popular cultural sphere based on historical (colonial) baggage. Copyright © 2009 Cambridge University Press.|
|Source Title:||Popular Music|
|Appears in Collections:||Staff Publications|
Show full item record
Files in This Item:
There are no files associated with this item.
checked on Sep 20, 2018
WEB OF SCIENCETM
checked on Sep 10, 2018
checked on Jul 26, 2018
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.