Please use this identifier to cite or link to this item:
https://doi.org/10.1177/1357034X05058017
DC Field | Value | |
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dc.title | Introduction -- Bodily Performance: On Aura and Reproducibility | |
dc.contributor.author | Turner, B.S. | |
dc.date.accessioned | 2016-11-28T10:20:38Z | |
dc.date.available | 2016-11-28T10:20:38Z | |
dc.date.issued | 2005-12 | |
dc.identifier.citation | Turner, B.S. (2005-12). Introduction -- Bodily Performance: On Aura and Reproducibility. Body & Society 11 (4) : 1-17. ScholarBank@NUS Repository. <a href="https://doi.org/10.1177/1357034X05058017" target="_blank">https://doi.org/10.1177/1357034X05058017</a> | |
dc.identifier.issn | 1357034X | |
dc.identifier.uri | http://scholarbank.nus.edu.sg/handle/10635/131471 | |
dc.description.abstract | The author discusses Walter Benjamin's concepts of art & authenticity, arguing that the aura of dance can never be fully subordinated to modern techniques of reproduction. Dance is a text that has a national script -- ballet in China is different from modern dance in the United States, & it is also a gendered form. Nevertheless, Benjamin's aesthetics finds their most compelling realization in the presence of the aura of a moving body. D. Knaff. | |
dc.description.uri | http://libproxy1.nus.edu.sg/login?url=http://dx.doi.org/10.1177/1357034X05058017 | |
dc.source | Scopus | |
dc.type | Article | |
dc.contributor.department | ASIA RESEARCH INSTITUTE | |
dc.description.doi | 10.1177/1357034X05058017 | |
dc.description.sourcetitle | Body & Society | |
dc.description.volume | 11 | |
dc.description.issue | 4 | |
dc.description.page | 1-17 | |
dc.description.coden | BOSOF | |
dc.identifier.isiut | NOT_IN_WOS | |
Appears in Collections: | Staff Publications |
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