Freedom of repression

Abstract

Too programmatic an opposition to censorship fails to account for the nuanced justifications and popular support that underwrite some of the world's most refined censorship regimes. In this article, I argue that in order to do so, we need to place freedom, repression, regulation, expression and productivity in a more dynamic relationship than conventional critics of censorship are generally willing to entertain. By way of example, I examine theatre censorship in Singapore. The South East Asian city state inherited draconian colonial-era censorship regulations from the British, which it variously amends, rescinds and refines on a regular basis through a combination of negotiation, government review and, increasingly, public participation. I explore several examples, including an all-male production of Oscar Wilde's The Importance of Being Earnest (1895), which triggered a range of local and international responses, thereby exemplifying the complex historical, political and aesthetic dynamics of censorship in a highly globalized environment. © 2011 International Federation for Theatre Research.